book chapters
‘Nothing Here Now but the Recordings – The Moving Image Record of Joy Division and the Factory Video Unit’
Heart and Soul: Critical Essays on Joy Division
Power, M., Devereux, E. & Dillane, A.(eds.),
Rowman & Littlefield (London), October 2018.
ISBN 978-1-78660-334-0.
‘Scratch Video: Analog Herald of Remix Culture‘
The Routledge Handbook of Remix Studies and Digital Humanities
Navas, E., Galagher, E. & burrough, x. (eds) Routledge, March 2021.
ISBN 9780367361426
‘Scratch Video Revisited’
Contemporary Radical Film Culture: Networks, Organisations and Activists
Newsinger, J., Wayne, M. & Presence, S. (eds.) Routledge, July 2020.
‘Electroacoustic Movies’
MuVi 3 – Video and Moving Image on synaesthesia and visual music
Ricco, D. and Jose de Cordoba, M. (eds) Ediciones Fundacion International Artecitta, Granada, Spain, 2012
ISBN-13: 978-84-939054-3-9
‘Islington’s Victorian Prisons’
Criminal Islington: The story of crime and punishment in a Victorian suburb
Sugden, K (ed.)
Islington Archaeology and History Society (1989).
journal articles
‘Sarva Mangalam!’
Video in collaboration with composer Professor Tim Howle, and journal article of supporting research contexts.
Sightlines: Film-making in the Academy Volume 4, May 2022.
Peer- reviewed online audiovisual journal,
Australian Screen Production, Education & Research Association, https://www.aspera.org.au/sarva-mangalam
ISSN 2653-1801
‘Electroacoustic Moviemaking: A Creative Media Practice Research Collaboration Case Study’
Special Issue: Creative Practice in Filmmaking and Screen Production
Studies in Australasian Cinema. Volume 12, Issue 2-3, pp.116-134.
Published online 29 Nov 2018. DOI: 10.1080/17503175.2018.1539539
‘Amen: Survive the Coming Hard Times’ and
‘Revisiting Scratch Video’
Video and journal article of accompanying research contexts;
Special Issue: Aesthetics/Politics/Activism/Art: What is Radical Film?
Screenworks Volume 7.3, December 2017.
Peer-reviewed online publication of practice research in film and screen media,
http://screenworks.org.uk/archive/volume-7-3/revisiting-scratch-video
ISSN 2514-3123.
‘Globus Hystericus’
Video in collaboration with composer Professor Tim Howle, and journal article of supporting research contexts.
Sightlines: Film-making in the Academy Volume 1, November 2015.
Peer- reviewed online audiovisual journal,
Australian Screen Production, Education & Research Association, http://www.aspera.org.au/research/sightlines-globus-hystericus/
ISSN 978-0-9943365-1-4.
‘Electroacoustic Movies: A visual music practice and its contexts’
Journal article
Divergence Press: Sound. Music. Image – Volume 2, May 2014.
Online, open access, peer-reviewed journal and resource hub for contemporary music, Centre for Research in New Music, University of Huddersfield, http://divergencepress.net/2014/06/02/2016-11-3-h4ju9gihvt68nfrukgto05fskaoipa/
ISSN 2052-3467.
‘Open Circuits’
Video in collaboration with composer Tim Howle, and journal article of accompanying research contexts selected for publication on DVD and online,
ScreenWork Volume 1, Practice as Research DVD
The Journal of Media Practice, Volume 10.2+3, June 2007, http://screenworks.org.uk/archive/volume-1
ISBN 978 186043 5126.
‘Open Circuits’
Reviewed in
‘International Computer Music Conference 2004: Concerts’,
Computer Music Journal, Volume 29, Number 2, Spring 2005,
MIT Press,
ISBN 0-262-75739 – 5.
DVD publications
‘Son et Lumieres’
Video in collaboration with Tim Howle
MuVi 3 – Video and Moving Image on synaesthesia and visual music
Ediciones Fundacion International Artecitta, Granada, Spain, 2012
ISBN-13: 978-84-939054-3-9
‘Open Circuits’
Video in collaboration with composer Tim Howle
‘ScreenWork Practice as Research DVD’
The Journal of Media Practice, Volume 10.2+3, June 2007, http://screenworks.org.uk/archive/volume-1
‘Open Circuits’
Process Revealed – Documenting the European Conference on Evolutionary Music and Art,
Artpool, Budapest, Hungary 2006, Goldsmiths, University of London
ISBN 1904158714
‘Open Circuits’
‘Visual Music’ AV Special,
Computer Music Journal, Volume 29, Number 4, Winter 2005,
MIT Press
ISBN 0-262-75739-7.
nick cope film & video 